Rainbow, Newest J-Class Sailing Yacht, Launched at Holland Jachtbouw

The replica of the famed 1934 America’s Cup winner Rainbow gently touched salt water for the first time last Friday, christened by the owner’s daughter.

Holland Jachtbouw has been building the 131-foot (40-meter) Rainbow for the past two years. It’s quite a difference compared to the 100-day build schedule for the original Rainbow, scrapped in 1940. Why such a variation in construction time? This Rainbow is quite a different competitor. Though she’s engineered and designed to the original William Starling Burgess specifications, Rainbow has a hybrid propulsion system and a superyacht-style interior. The yacht that inspired her was a pure racer, without an interior, an engine room, or the attendant equipment of modern comforts like air conditioning.

Rainbow’s hybrid propulsion and power system marks a first for all the Js on the water (she’s the seventh). Holland Jachtbouw proposed it due to the yacht’s space limitations and collaborated with WhisperPower to develop it. It’s comprised of Hy-Store lithium-ion batteries, one main engine, and a variable-speed electric motor serving as a genset. That genset can be used as an alternate engine when needed. Furthermore, the batteries can power everything aboard Rainbow whether sailing or at the dock, at the request of the owner, Chris Gongriep. Gongriep is an experienced sailing-yacht owner, having the renowned Windrose of Amsterdam, built by Holland Jachtbouw, conceived for and win races. He wanted Rainbow to be whisper-quiet in the overnight hours, so the batteries do the trick. They can then be charged while Rainbow is under sail, with reportedly just a 1.5-knot drop in speed.

Besides the space savings, the hybrid system allows a reported 30-percent reduction in fuel consumption due to air conditioning and other “hotel load” items. And, of course, that means lower maintenance costs and sound reduction.

As for Rainbow’s overall naval architecture and design, Gongriep tapped Dykstra & Partners .Besides having designed Windrose of Amsterdam for him, the firm oversaw the restoration of the Js Endeavour, Shamrock V, and Velsheda, the refit of the J Ranger, and the construction of the replica J Hanuman. Dykstra & Partners also had a hand in developing the J Class Association performance racing rules, to which Rainbow will adhere. A Southern Spars carbon fiber mast, boom, and spinnaker pole, plus North Sails racing sails and Lewmar hydraulic winches are among the gear the design team specified to meet those expectations.

During races, a crew of 25 to 28 people will handle Rainbow, including her huge, 10,226-square-foot (950-square-meter) spinnaker. When she’s entertaining Gongriep and guests, a crew of seven will take care of things. During those times, everyone will be treated to a mahogany-paneled interior with 1930s period flair, including Art Deco touches. The master suite is aft, and the two guest staterooms each have Pullmans.

Look for Rainbow to compete as JH2 in the upcoming J-Class regattas in England this summer. She’ll also make her boat-show debut at September’s Monaco Yacht Show.

Designer’s Notebook: McDiarmid Design

When we named Alex McDiarmid as one of six upcoming designers to watch last year, we knew his portfolio of sailing yachts and motoryachts pushed the concept of “concept yacht” to an extreme compared to others. But if you look at some of the superb superyachts that have come out of the world’s leading shipyards in the recent past, daringly different designs are catching on in real life.

That’s what convinced us to feature McDiarmid Design in this edition of Designer’s Notebook. Not ones to present just one concept and wait, McDiarmid and his team have been unveiling regular concept projects, with each one available in slightly different looks. Here, McDiarmid reveals a 330-foot (100-meter) megayacht based on an explorer yacht—but with his distinctive twists, and in six different profiles, no less. One profile is above, while the other five are in the slideshow below.

 

McDiarmid Design PENNA 100m 2McDiarmid Design PENNA 100m 3McDiarmid Design PENNA 100m 4McDiarmid Design PENNA 100m 5McDiarmid Design PENNA 100m 6

 

Technical/Principal Characteristics:

Length overall: 330 feet (100 meters)

Beam: 58 feet (18 meters)

Power package: 4 x 3,600-kW MTUs or a diesel-electric propulsion system with pod drives, electric Voith in-line propulsors/thrusters, Volvo Penta D16 MG gensets, and Valance batteries

Berth capacity for guests: 14

Berth capacity for crew: 24

Construction: The hull is made from steel, while the superstructure is in aluminum. All-aluminum construction, further reducing weight and therefore power consumption, is under consideration also.

 

“Continuing our monthly concept series alongside our day to day design work, this month we chose feathers as our inspiration. Our work has ruffled a few feathers over the last year.

“PENNA - the word pen is derived from the Latin penna, for feather, and in French, plume can mean either feather or pen.

“Feathers are considered the most complex organ structures found in vertebrates. Feathers have been used in ceremonial headdress, fletching arrows, bedding, clothing, and as early writing instruments to make quill pens.

“Looking at both tail and flight feathers, we began to see that their overall design and profiles would lend themselves nicely to superyacht design, and only in our inimitable style. In particular, the A-symmetrical form of flight feathers producing a profile based on the layout of a classic explorer/expedition yacht.

“The design and styling of the superstructure silhouette takes its inspiration from the beautiful, organic forms of feathers.

“The hollow shaft, calamus, and rachis of the feather provided the inspiration for the hull length window constructed in a series of glass panels, with the ‘ruffled feather look’ providing the superstructures glass. This allows as much natural light into the superstructure as possible; the overall goal is obtaining a floating atrium effect.

“We were adamant about keeping a classic bow for one of the concepts below, but wanted to really push some boundaries with the styling of others. The aft section of the hull, superstructure, and ‘Day Light Opening’ / DLO window graphics are there to be explored in terms of style. It is a concept, after all, which would require new ways in thinking for production, but concept designs should offer an insight into what could be while at the same time entertaining the viewer.

“The communication towers are inspired by the phrase a feather in your cap.

“While the aft deck houses a helicopter platform, RIBs, tenders, toys, and potential for a sailing yacht, laboratories could be integrated if the project is to be used as a research vessel.

“A feather in your cap is an English idiomatic phrase believed to have derived from the general custom in some cultures of a warrior adding a new feather to their headgear for every enemy slain, or in other cases from the custom of establishing the success of a hunter as being the first to bag a game bird by the plucking of the feathers of that prey and placing them in the hat band. The phrase today has altered to a more peaceful allusion, where it is used to refer to any laudable success or achievement by an individual that may help that person in the future.”

Designer’s Notebook: Lila-Lou London

Lila-Lou London were tuned in to the idea of globetrotting yachts looking a bit more aggressive and less lady-like soon after the company’s founding in 2005. In fact, in 2009 the design team created a megayacht that drew inspiration from offroading 4×4 vehicles. Called the Double L 45, the design was a motoryacht measuring 147 feet (45 meters). In this Designer’s Notebook, one of Lila-Lou London’s principals, Alexander Isaac, explains how Double L 45 has undergone transformations—some initiated by the in-house team, and others from an interested client—including growing about 14 feet.

“On the books/drawing boards/computers at any particular moment, we have a good mix of real live projects, paid and competitive pitches, plus a number of speculations we develop with any spare downtime. One such good example of the later is our exterior design for the motoryacht Double-L.

“Eager to publish our first visuals of Double-L, she was indeed featured in an article on this very website in mid-2009. In hindsight, it was early on in the development of the concept to release such information, but now given this opportunity to write a piece for the Designer’s Notebook some two and a half years later, it gives a decent insight as to how an in-house development project progresses.

“Following on from those stylized visuals first produced for publication and the feedback received, we decided to develop the concept further. Basing the yacht loosely on hull lines from a stock platform we had in our archives, the design grew from 45 to 49m, increasing the overall interior volume and projected GRT to just below 500. In order to produce a more detailed presentation, we created a 3D styling model in CAD at 1:1, and from this produced new renderings and 2D CAD sections for design drawings. The new exterior ‘look and feel’ gained a smoother, nuanced ‘flame-surfaced’ feel by comparison to the original angular and aggressive profile, more in keeping with the direction of our other exterior design work and house styling theme.

“Around the same time, we were working on a land-based project with a Swiss businessman and his representatives, who expressed interest in this particular exterior and our unpretentious ethos behind it, namely a practical but beautiful, functional but luxurious SUV for the sea. Although not personally requiring a yacht, he believed the concept was strong enough to be worthwhile advancing and did count amongst his activities an Italian luxury brand. The company is predominantly renowned for personal and household accessories but also residential, commercial, and hotel design; our contact suggested collaboration in order to further the interior development as a joint venture and a diversified showcase for their creative talents.

“After several meetings in Switzerland and Milan, we eventually arrived at a new and original general arrangement plan, courtesy of some ‘out of the box’ thinking from the Italian designers, who had also defined a handsome, contemporary architecture and decorative specification.

“As is often the case with this type of undertaking, both our companies became busy with real projects and their associated deadlines, so unfortunately it is again on hiatus. However, we remain very keen on this platform, having taken it from a preliminary draft proposal to a viable venture; it will stay on our books ready to be resurrected given spare time or new client interest.”