Rene van der Velden 110-Foot Megayacht Cruiser Concept Project

While other designers are researching hybrid technology for more fuel-efficient megayacht designs, Rene van der Velden is confident economy-minded owners can remain that way with traditional diesel power. That’s one of the features of the 110-foot cruiser concept seen here.

In fact, the Rene van der Velden 110 Cruiser includes a variety of basic systems and machinery, eschewing the trend to go high-tech. As the head of the eponymous design firm puts it, owners looking for lower construction and operating costs don’t always want overly sophisticated technology.

For propulsion, the 110-foot Cruiser will reply on a choice of twin Caterpillar engines. If 1,900-hp C32 ACERTs are selected, top speed should be 18 knots, and cruise speed should be 14 knots. With 715-hp C18 ACERTs, top end should be 14 knots, with a 12-knot cruise.

Another good example: the tender stowage and launching area. Many megayachts have tender garages, which are great for keeping toys out of view. However, van der Velden argues, they require costly hydraulic devices for watertight integrity and regulatory compliance. Other megayachts, especially ones in the 100-foot range, place the toys aft on the flying bridge—which, van der Velden rightly points out, blocks the view. By contrast, the 110-foot megayacht concept has a foredeck beamy enough to hold a handful of toys. The bulwarks are additionally high enough to hide them from view and keep them secure. And, of course, a dedicated crane launches and retrieves them. If an owner so wishes, though, the stowage area can become hidden within housing topped by a hatch.

The design team is leaving construction material up to the owner’s and/or builder’s choice, though van der Velden recommends a steel hull for strength and ease of repair essentially worldwide. The superstructure can be comprised of either fiberglass or aluminum.

Also up to owner’s choice is the interior decor. Layout options are further open to interpretation, though van der Velden envisions four guest staterooms below decks and a main-deck owner’s suite. The suggested layout allows the two forward guest staterooms to transform into a large suite, a nice touch.

The 110 Cruiser concept has some innovative ideas that would be a shame not to see come to fruition. One of them is the saloon, featuring sliding glass doors (up to five) to really open up the area. These were chosen to make the saloon equally favored as a gathering area, since so many owners and guests use the skylounge more often. Another innovative idea: sliding glass panels overhead and to each side in the skylounge. Picture the yacht in a picturesque anchorage with all the panels wide open, or just the “sunroof” open… it’s a flexibility not found on other yachts.

Note, too, that the flying-bridge deck, where the skylounge is located, is the uppermost deck. Rene van der Velden purposely eliminates the common third deck, dedicated as a sundeck or a flying bridge depending on how other designers and builders term it. The reason: weight savings aloft, which translates to better stability, a more moderate beam (22’3”, or 6.8 meters), and lower construction and operating costs.

For more information on the 110 Cruiser directly from Rene van der Velden, fill out our contact form.

Designer’s Notebook: Patrick Knowles

Patrick Knowles of Patrick Knowles Designs has been a top name in megayacht interiors for more than two decades. The list of megayacht builders he’s worked with are equally notable: Trinity Yachts, Burger Boat Company, Palmer Johnson, ISA, Feadship, and more. In mid-2011, Patrick Knowles Designs was tapped for the interior of a 197-foot (60-meter) motoryacht that a small family planned to use for extended personal cruising. The firm outlined the general arrangement and created all drawings, including the ones needed to fabricate furnishings and other elements. Unfortunately, the design did not come to fruition.

Here, Knowles presents several views of the master suite as well as one of the main staircase. He selected them because they’re representative of the personality of the rest of the megayacht’s interior design.

 

“The client requested an interior that was classic in nature with a tailored decor, along with elements of contrast, texture, and a hint of what one might refer to as influences of a ‘gentleman’s club.’ Various materials were implemented to achieve the owner’s request, such as walnut burl, figured mahogany, sapele mahogany, leather, and shagreen skins, among many other finishes. All were selected to create the elegant look of the raised-panel-joinery interior.

“The marble design for the interior, which is comprised primarily of White Thasos and Black Absolute, can be seen in its greatest display in the mosaic of ‘his’ side of the master head. The design created much of the juxtaposition the owner yearned for in the interior. In addition, pearl-white onyx was also used on surfaces that are designed to be backlit, such as nightstand tops and accent walls throughout the vessel.

“The decor elements are restrained and tailored, with a color palate that reflects a rather conservative point of view, in classic navy and white. The berths were designed with open bedding as opposed to the more traditional day covers. The design of the custom carpeting was intended to introduce texture as well as pattern and, of course, contrast to the joinery work.

“The study lies at the entry into the master suite, which embodies the full sense of a refined gentleman’s club. Louvered shutters extending from the deck to the overhead give a grand feeling of large windows, when in fact the windows behind are relatively modest in size. The bookcase, designed to be full length, provides the venue for an assortment of leather-bound books.

“In the master stateroom itself, the owner requested a ‘nesting of the bed’ within the millwork, which inspired the deep recess of the bed within the night tables and their pilaster columns. In addition, it was important to the owner that all berths incorporate joinery panel detailing, a throwback to a more traditional era in yachting. The joinery bulkheads were designed with insets of upholstered fabric panels, bringing reprieve from the abundance of wood in the interior.  Within the cabinetry of the forward bulkhead, where the entertainment systems are housed, two niches were designed to accommodate two custom sculptures, which were to be commissioned.

“All accent metal selected for the interior is polished nickel as opposed to the traditional and expected polished gold or brass. This includes the lighting fixtures, decorative cabinetry hardware, and plumbing fixtures.

“Some of the design elements that are not as noticeable in the photos include details such as hand-stitched leather doors in the wardrobe, backlit onyx tops on the nightstands, custom polished nickel ventilation grills, polished nickel inlays in the perimeter wood border of the decks, as well as an unusual amount of indirect lighting within the overheads, soffits, valances, and furniture.

Within the main staircase, which connects all decks, backlit, hand-carved onyx panels adorn the bulkheads. The onyx panels are carved in vignette images, all of which depict experiences of the owner and his family during past travels of the globe. The ambience of the illuminated inset onyx panels sets the tone for the public spaces of the yacht’s interior, while providing a gallery in which to gaze at a storybook of family experiences.”

Designer’s Notebook: Adriel Design

Adriel Rollins, principal of Adriel Design, has worked with a number of notable builders over the years both along his home waters of the Pacific Northwest and in Europe. To the latter point, a chance to work with Oceanco on the completion of Sunrays a few years ago, after the sudden passing of Björn Johansson of Björn Johansson Design, led to this current collaboration on a concept project called Lumen.

Presented publicly for the first time at the Dubai International Boat Show a few weeks ago, Lumen is based on Oceanco’s new 90-meter-plus (295-foot-plus) Passenger Yacht Code (PYC) platform. PYC permits megayachts to displace up to 3,000 gross tons and carry up to 36 passengers. Lumen measures 301’8” (92 meters). Rollins says he and Oceanco initially considered a 295-footer, but then the team decided to design a slightly smaller version, at 285 feet (87 meters), to meet current LY2 regulations. Ultimately, they decided to go up in size.

The image gallery here gives you a few different perspectives on Lumen. In looking carefully at the profile drawings, you’ll note some skylights. There are two on the owner’s deck, spilling light down to either side of the master bed. Two more appear in the bridge overhead, and four more are integrated into the hardtop over the sundeck. Rollins adds, “What is harder to spot in the renderings is the skylights in the base of the sundeck and main-deck whirlpools. The sundeck whirlpool skylight brings in natural light down the massive stair/elevator atrium. The main-deck skylight brings natural overhead light into the beach deck/spa below.”

Here, Rollins explains more about the philosophy behind the design:

“The graceful lines of DP005 contain the sculpted forms that draw your eye to the opposing surfaces. Undulating conical forms create outcrops and promontories along her profile. From the stern, the tapering forms invoke forced perspective.

“The inspiration for the cantilevered outcrops was derived from the ancient aesthetic of the pagoda; a tiered tower structure with multiple eaves. The eaves stretch forward along the hull to enhance the shape of the naval architecture. The exterior styling works in tandem with the hull form, instead of appearing to be ‘stacked’ upon the hull. The hard-chine appearance of an Oceanco hull form is complemented by the ‘pagoda’ tiered outcrops. The dominance of the chine cannot be ignored, and will collect light from the sun as much as any upper superstructure component. With that, we felt compelled to place our styling lines in formation with the strict elements of the vessel’s hydrodynamic features. The final note regarding this dominant element is found at the aft end of the outcrops. The line continues downward and aft, terminating at the swim platform just above the waterline. The result is that the foredeck sheerline gradually falls all the way to the stern as one continuous line. These elements are redirected and juxtaposed throughout the rest of the profile and topsides.

“Within the heart of DP005 is an impressive glass and metal atrium which will be controlled by state-of-the art lighting and be visible through the amidships superstructure and the skylights through the sundeck. The exterior lighting on this vessel will be taken to a new level. Against the blackness of night, this yacht will have the ability to glow with the charm of a small shoreside villa.”


LUMEN: SPECIFICATIONS

LOA: 295’3” (90 meters)

Beam: 47’9” (14.6 meters)

Draft: 13’1” (4 meters)

Construction: steel hull, aluminum superstructure

Top speed: 19 knots approx.

Engines: 2/4,828-hp MTU 20V 4000 M73L diesels

Classification: Lloyds ✠ 100 A1 Passenger Ship ✠ LMC UMS SCM EP

Accommodations: 1 master suite, 3 double guest staterooms, 3 twin guest staterooms

Crew accommodations: 1 captain’s cabin, 7 single officer’s cabins, 7 twin crew cabins

Naval architect: Oceanco/Azure Naval Architects

Styling: Adriel Design

Interior design: to be determined